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“... In 1909 there appeared a small book by Montgomery Carmichael modestly entitled Francia’s Masterpiece and dedicated to reconstructing the content, purpose and original setting of a single Renaissance altarpiece. It provided what is still the best account of the treatment of the Immaculate Conception in old Italian art. Carmichael deplored the limited outlook of the scholars of his day who were uninterested in the religious nature of the art they catalogued, and expressed his outrage at their complicity in the removal of ‘church pictures’ from ‘living use over altars and shrines to the chill fastnesses of meaningless museums and art galleries’ on the pretext of danger from the candles lit before them ...”

“... themselves, both attractive characters who deserve something better than the hideous drawing Charles Keeping has made of them for the ...”

“... was completely off the map.’ He sinks into the comforts of a less inscrutable world: that of Charles Schulz’s Peanuts. The comic strip, read by millions of Americans, is the centre of Franzen’s childhood imaginative life: ‘Like most of the nation’s ten-year-olds, I had a private, intense relationship with Snoopy, the cartoon beagle. He was a ...”

“... a performance by ‘the most extraordinary and interesting man in miniature in the known world’. Charles Sherwood Stratton was a perfectly formed 25-inch-tall midget, who weighed only 15 pounds. It had been the idea of the Victorian freak show impresario Phineas Taylor Barnum to present him in the guise of ‘General Tom Thumb’. Before long, the ...”

“... of refrigerators. He’s blasting with warmth out back.Mason & Dixon is the story of two men, Charles Mason (1728-86) and Jeremiah Dixon (1733-79). Both are drawn from history, as is the outline of their doings, and as are many of the acquaintances they happen upon en route. Mason begins the tale as an astronomer at Greenwich; Dixon as a journeyman ...”